Couldn't resist this.
6/20/08
6/11/08
Patty Griffin- Heavenly Day
Oh, Heavenly Day. Emily Pew finally broke down and BLOGGED. I'm in shock and may have to duck my head in the river to recover. Wow. This video is for you. Now throw on something you've written, Girl.
I think you're right about Em and the chainsaw, though chainsawing through this huge tree would be great therapy for her.
I'm going to take shots of my cat and post for H. Especially if you post. C'mon. Even just a small poem would keep us happy.
6/9/08
Beavers and Black Swans
Sunday afternoon, and I'm lying on my porch swing reading and watching the birds dive bomb over the river, when the cat's tail starts to wag slowly in her "hunter-killer" mode. I glance toward the river and see a black swan, with a neck like a snake, swim by the small island, next to the new beaver dam. I've never seen a black swan out of captivity, and I spend the rest of the afternoon watching it glide back and forth and dip its head in the river. Once it came up to swim next to my canoe--what a treat.
Next, after dark, Patch is barking frantically enough to pull me away from another book. The idiot has something pinned down in the garage. I draw back to consider, since last time it turned out to be a small skunk, who sprayed. But I finally reach my hand around the door and hit the door opener. Does Patch chase the "thing" OUTSIDE? Nope--that's too easy for him. Instead, I hear them running directly back toward me as I dash for the door, just in time to see . . . what? A raccoon? It ran like a beaver, but it was too big. My first thought was "It's a porcupine," but Patch would have quills sticking out of his nose by now. Whatever it is scrambles over the cat, who jumps to my shoulder (with claws,of course, open); I scream, and Patch barks this brown lump, three times his size, clear to China and back. What a grand day. I think it was a grizzly bear or a lion, maybe a tiger.
Red-Letter Morning and Apricot Pits
Thurs.
Last night (Well, technically early this morning), I’m reading a piece out of Replacing Memory by Barry Lopez. I’m tired, but he has me in a trance. He's visiting Whittier, CA and tries to find two of his childhood homes.
At one place--he's guessing though--he walks across a perfectly flat lot: trees, bushes, numbers on mailbox, beehive--all "swept clean, empty," except for "the tread marks of a single tractor." He finds an apricot pit at the back of the lot and puts it in his pocket. But he finds the next house still standing, occupied by an elderly woman he once knew, says an old neighbor. She doesn’t answer his knock because “she's inside dying of cancer."
I'm leaning against pillows on a white feather quilt. My dog is draped over my feet, and Cat is curled up under my arm as close as she can get. She doesn't like it when the wind blows hard enough to swirl the birds outside. I'm wrapped up in the smell of lilacs I picked earlier—a sweet, slightly syrupy smell like getting off the plane in Hawaii the first time. Tori Amos plays on the IPod: Piano notes as light as raindrops:
"Excuse me, but can I be here for awhile?
. . . And sometimes, I said sometimes, I hear my voice, and it's been here -- Silent All These Years.
. . . So you found a girl who thinks deep thoughts. What’s so amazing about deep thoughts? Boy, you best pray that I bleed real soon. How’s that thought for ya? My scream got lost in a paper cup. I think there’s a heaven where the screams have gone.
. . . But I don’t care.
. . . Years go by and I’ll still be waiting for somebody else to understand. Years go by, even stripped of my beauty and the orange clouds raining in my hand. . . . Easy. Easy. Easy.
. . . Your mother shows up in a nasty dress, and it’s your turn now to stand where I stand, and everybody looking at you. . . . But, I don’t care.
. . . And it’s been years. And I’ve been here, I said I’ve been here, silent all these years.”
Whew. Amos is a morning gift. Vaguely I hear the birds start in and wonder again why they can’t wake up one at a time. It’s like some big bird conductors taps their wand on a tree branch, cough, and say in chirp talk: “Ready? Hit it.”
I turn back to Lopez, feeling that dull dread of the day coming after I haven’t slept, already anticipating sore eyes, a stiff neck:
He writes, “I told her something Wallace Stegner wrote: whatever landscape a child is exposed to early on, that will be the sort of gauze through which he or she will see all the world afterward. I said I thought it was emotional sight, not strictly a physical thing.”
Duh. Why did Lopez have to add his own thought? Couldn’t he just let us hear Stegner, since what he adds is obvious?
Back to the page, where he walking around the side of the house, which holds the woman dying of cancer, and I’m suddenly whisked away from this Idaho dawn to California where Leonard Cohen feeds me “oranges that come all the way from China”:
Lopez says, “We were standing on a concrete path, where I squatted down to peer at a column of ants going in and out of a crack. I had watched ants in this same crack forty years before. These were their progeny, still gathering food here [Ah, I love that line].The mystery of their life, which had once transfixed me, seemed in no way to have diminished. [Don’t like these two sentences, but love the last one, except for the word “deliberately.”] I felt tears brim under my eyes and spill onto my cheeks. The woman touched my forearm deliberately but lightly, and walked away.”
It’s those ants. Those ants get me every time because they’re such a minute detail, and they remind me how small I am also. My problems fall away, sort of shed downward like dead skin, for a moment, although I wonder if this generation will have the luxury of noticing that some parts of life always stay the same.
In her sleep, the cat scoots toward the bird sounds, but then slumps, like bones dissolving into milk, rolls over, and twists her head in a circle, with paws curled in the air. She makes me laugh. How can she sleep like that? And I notice I feel happy. Completely happy.
For a fleeting second, I realize how long it’s been. Whew, so long that the feeling is strange--unfamiliar, but I relax into it (because who can predict when it’ll come again) to watch the dawn, which does not come up over the river. It’s nothing swift like the “rosy fingers of dawn.” It’s more like slivers of color flow into gray then dissolve the darkness, like water filling up an empty sink. No, not quite like that. The light does not even “push” the dark out; it blends with it until it’s just more there than the dark. Dawn moves into another day smooth and soft, like the best kind of quiet. And now Santana plays his guitar in the background. Ha. Mmmmmm--sound of pleasure to hear that Black Magic guitar with dawn birds as grey moves into day—I have to smile again. I mean, people pay big bucks for moments like this.
Last night (Well, technically early this morning), I’m reading a piece out of Replacing Memory by Barry Lopez. I’m tired, but he has me in a trance. He's visiting Whittier, CA and tries to find two of his childhood homes.
At one place--he's guessing though--he walks across a perfectly flat lot: trees, bushes, numbers on mailbox, beehive--all "swept clean, empty," except for "the tread marks of a single tractor." He finds an apricot pit at the back of the lot and puts it in his pocket. But he finds the next house still standing, occupied by an elderly woman he once knew, says an old neighbor. She doesn’t answer his knock because “she's inside dying of cancer."
I'm leaning against pillows on a white feather quilt. My dog is draped over my feet, and Cat is curled up under my arm as close as she can get. She doesn't like it when the wind blows hard enough to swirl the birds outside. I'm wrapped up in the smell of lilacs I picked earlier—a sweet, slightly syrupy smell like getting off the plane in Hawaii the first time. Tori Amos plays on the IPod: Piano notes as light as raindrops:
"Excuse me, but can I be here for awhile?
. . . And sometimes, I said sometimes, I hear my voice, and it's been here -- Silent All These Years.
. . . So you found a girl who thinks deep thoughts. What’s so amazing about deep thoughts? Boy, you best pray that I bleed real soon. How’s that thought for ya? My scream got lost in a paper cup. I think there’s a heaven where the screams have gone.
. . . But I don’t care.
. . . Years go by and I’ll still be waiting for somebody else to understand. Years go by, even stripped of my beauty and the orange clouds raining in my hand. . . . Easy. Easy. Easy.
. . . Your mother shows up in a nasty dress, and it’s your turn now to stand where I stand, and everybody looking at you. . . . But, I don’t care.
. . . And it’s been years. And I’ve been here, I said I’ve been here, silent all these years.”
Whew. Amos is a morning gift. Vaguely I hear the birds start in and wonder again why they can’t wake up one at a time. It’s like some big bird conductors taps their wand on a tree branch, cough, and say in chirp talk: “Ready? Hit it.”
I turn back to Lopez, feeling that dull dread of the day coming after I haven’t slept, already anticipating sore eyes, a stiff neck:
He writes, “I told her something Wallace Stegner wrote: whatever landscape a child is exposed to early on, that will be the sort of gauze through which he or she will see all the world afterward. I said I thought it was emotional sight, not strictly a physical thing.”
Duh. Why did Lopez have to add his own thought? Couldn’t he just let us hear Stegner, since what he adds is obvious?
Back to the page, where he walking around the side of the house, which holds the woman dying of cancer, and I’m suddenly whisked away from this Idaho dawn to California where Leonard Cohen feeds me “oranges that come all the way from China”:
Lopez says, “We were standing on a concrete path, where I squatted down to peer at a column of ants going in and out of a crack. I had watched ants in this same crack forty years before. These were their progeny, still gathering food here [Ah, I love that line].The mystery of their life, which had once transfixed me, seemed in no way to have diminished. [Don’t like these two sentences, but love the last one, except for the word “deliberately.”] I felt tears brim under my eyes and spill onto my cheeks. The woman touched my forearm deliberately but lightly, and walked away.”
It’s those ants. Those ants get me every time because they’re such a minute detail, and they remind me how small I am also. My problems fall away, sort of shed downward like dead skin, for a moment, although I wonder if this generation will have the luxury of noticing that some parts of life always stay the same.
In her sleep, the cat scoots toward the bird sounds, but then slumps, like bones dissolving into milk, rolls over, and twists her head in a circle, with paws curled in the air. She makes me laugh. How can she sleep like that? And I notice I feel happy. Completely happy.
For a fleeting second, I realize how long it’s been. Whew, so long that the feeling is strange--unfamiliar, but I relax into it (because who can predict when it’ll come again) to watch the dawn, which does not come up over the river. It’s nothing swift like the “rosy fingers of dawn.” It’s more like slivers of color flow into gray then dissolve the darkness, like water filling up an empty sink. No, not quite like that. The light does not even “push” the dark out; it blends with it until it’s just more there than the dark. Dawn moves into another day smooth and soft, like the best kind of quiet. And now Santana plays his guitar in the background. Ha. Mmmmmm--sound of pleasure to hear that Black Magic guitar with dawn birds as grey moves into day—I have to smile again. I mean, people pay big bucks for moments like this.
6/2/08
Latest WC Party and Waikiki
So good to see Steve Bell even if he is quitting teaching to go into dentistry. Good party with lots of singing around a fire against a sunset, but seemed strange not to have guitars.--Chan, Kaitlin, and Jami tipped over my canoe, but they dragged it back in snow run-off water, instead of leaving it at the bottom of the river, bless their hearts (or I would have killed them).I had a strange feeling as I watched the fire and their shadows against the twilight. I think this was our last party by the river. Don't know why I feel that way. And it made me sad, like the end of a part of my life--another end.
Sometimes (excuse self-pity), it seems I've had more ends than beginnings.
If I could go back and do something over again--make a new beginning--where would I go? Whew. Never mind. Too many answers to that question. But . . . were there simple, small beginnings I missed? Probably thousands.
. . . Tonight, I'd go to Waikiki (1967 or '68) when a soldier on RR (Rest & Relaxation--ha)from Vietnam stopped me on the street to ask where I was from. (Funny this memory should surface now? Wafting up from those romantic days when most everything was golden--and whatever wasn't gold, we'd throw away by morning.)
I remember I looked up into the most beautiful green eyes, shy, clear, and lonely, and I couldn't think of one cleaver thing to say; I just pulled away from him and walked toward the beach sunset. Later I saw him eating alone at a sidewalk table. His eyes were looking at something far away--maybe the war, his little brother, or a girl back home. He sat hunched over, wasn't interested in his Patty Melt sandwich, and barely glanced up when I sat down. Somewhere between the clouds rolling in and his shiny military shoes, he turned into a human being instead of a hustler. "When do you go back?"
His eyes focused in, but he didn't smile. "Two days, but it doesn't matter."
"Are you okay?"
He smiled, "I am now."
"OK, listen, I'm from Idaho, love the color gray, lobster, and registered quarter horses. I'm sorry, but I don't trust guys very much, and I won't sleep with you, but if you want, I can show you a ledge outside the Hawaiian Hilton where we can hear some good music and watch the surf?" It all came out in a rush of jumbled noise because he had these amazing green eyes that seemed to really SEE me when he looked at me. And I wasn't used to talking to soldiers; they were too hungry, too rushed, too scared. But he seemed so . . . I don't know. Familiar?
"Are you picking me up?" Now he was grinning.
As usual, a defensive irritation shot up my spine. "Geez, I've never picked up a guy--whatever that means--nor will I ever have to or want to pick up a guy. Excuse me; I read you wrong." I marched away and ducked down an alley and into the back door of a bar I knew about to lose him.
But what if I'd stayed? What if I hadn't grown up with a hair-trigger temper, and I'd just laughed along with his joke--which I'm sure it was now. I missed a walk along the beach, maybe a swim in the always-warm water--I could have shown him the thick yellow rope to swim under where we could check out the million dollar boats on the other side tied up in the harbor; we could have played at picking out the one we'd sail away in tomorrow morning. We could have strolled through the International Market where I would show him the knife with the elaborate carved Ivory handle I was saving up to buy. I could have shown him where we could buy broiled shrimp for a 50 cents. And when it got close to his curfew, maybe I would have kissed him, since he was flying back to jungle rot and hutches where they tried to stay sane by smoking MJ mixed with Jimmi Hendricks. And because he had green, very green eyes.
Yeah, I ended that one before it began. And what a nice walk down the beach that would have been. Sometimes we eat our bitter fears for breakfast, like burnt toast.
Or maybe he was a serial killer in disguise, who had just slit the throat of a poor RR soldier for his uniform and planned on chunking me up for shark bait.
Naaaw. I don't think so. Otherwise, I would have forgotten those green green eyes by now.
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